Paul Arditti
Theatre
In London’s West End: Caroline, or Change (also at Chichester, Hampstead and on Broadway), Mary Stuart (also at the Almeida) and The Inheritance (also at the Young Vic and on Broadway).
For the National: The Odyssey: Episode Five − The Underworld, The Motive and the Cue, The Crucible, Jack Absolute Flies Again, Our Generation, The Visit, Macbeth, Rutherford and Son, Absolute Hell, Pericles Amadeus, Beginning, Mosquitoes, The Threepenny Opera, Ma Rainey’s Black Bottom, wonder.land, Everyman, The Hard Problem, Behind the Beautiful Forevers, Great Britain, King Lear, National Theatre 50 Years on Stage, Edward II, The Magistrate, London Road, Collaborators, The Veil, One Man Two Guvnors (also West End), Blood and Gifts, Love the Sinner, Nation, The Revenger’s Tragedy, The Year of Magical Thinking, Never So Good, Happy Now?, Saint Joan, Market Boy, The President of an Empty Room and The Pillowman (also on Broadway).
Other productions include: Guys and Dolls, The Book of Dust – La Belle Sauvage, A Midsummer Night’s Dream and Julius Caesar at the Bridge; Tree at the Young Vic and Manchester International Festival; A Very Expensive Poison at the Old Vic; Local Hero at the Edinburgh Lyceum; Festen and Shipwreck at the Almeida; and This is my Family at Chichester.
Paul Arditti is a founder member of the Association of Sound Designers.
Awards
One Man, Two Guvnors – Tony nomination
Festen – Evening Standard Award; Olivier nomination
Mary Stuart – Tony nomination
Billy Elliot The Musical – Olivier, Drama Desk and Tony awards
Saint Joan – Olivier Award
The Pillowman – Drama Desk Award; Olivier nomination
The Inheritance – Olivier nomination for Best Sound Design; Tony Award nomination
(Updated August 2023)