Katrina Lindsay

Theatre

For the National: The Motive and the Cue, Hex, Small Island, Three Sisters, Mosquitoes, Dara, Behind the Beautiful Forevers, London Road (set/costume); The Lehman Trilogy, wonder.land (costume).

Recent costume designs include: Tammy Faye at the Almeida; 101 Dalmatians at Regent’s Park; Burn for the National Theatre of Scotland/Edinburgh International Festival; Hamlet at the Barbican; American Psycho at the Almeida and on Broadway; Terry Gilliam’s Damnation of Faust and Benvenuto Cellini for the ENO; and Harry Potter and the Cursed Child for the West End, on Broadway and worldwide.

Other set and costume designs include: The days run away like wild horses for Rambert; See Me Now at the Young Vic; The King Dances at Birmingham Royal Ballet; and numerous shows for the RSC.

Katrina Lindsay co-created and designed set and costumes for Sleeping Beauty at the Young Vic, Barbican and New Victory Theatre, New York and its predecessor Waking Beauty at Arts Threshold.

Katrina Lindsay is a member of the theatre design collective Scene/Change.

Film

As production designer, films include: London Road

Awards

Harry Potter and the Cursed Child – Tony and Olivier Awards for Costume Design

Bend it Like Beckham – Olivier nomination

Les Liaisons Dangereuses – Tony, Outer Critics’ Circle and Drama Desk awards for Costume Design

(Updated April 2023)